{"id":127520,"date":"2024-01-15T19:11:56","date_gmt":"2024-01-16T00:11:56","guid":{"rendered":"https:\/\/v2fr5er78d.funnewsdaily.com\/books\/new-book-on-writing-is-part-travelogue-part-essay-part-crusade\/"},"modified":"2024-01-15T19:11:56","modified_gmt":"2024-01-16T00:11:56","slug":"new-book-on-writing-is-part-travelogue-part-essay-part-crusade","status":"publish","type":"post","link":"https:\/\/v2fr5er78d.funnewsdaily.com\/books\/new-book-on-writing-is-part-travelogue-part-essay-part-crusade\/","title":{"rendered":"New Book on Writing is \u201cPart Travelogue, Part Essay, Part Crusade\u201d"},"content":{"rendered":"

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\"The<\/a><\/p>\n

Writing Beyond Writing: Lessons from Endangered Alphabets<\/p>\n<\/div>\n

\"Tim<\/a><\/p>\n

Tim Brookes, author of Writing Beyond Writing<\/p>\n<\/div>\n

\"One<\/a><\/p>\n

“To Love Love”: one of Tim Brookes’ carvings in endangered Mongolian calligraphy by Tamir Purev<\/p>\n<\/div>\n<\/div>\n

Founder of Endangered Alphabets Project Champions Indigenous and Minority Alphabets Worldwide<\/i><\/p>\n

a game-changer\u201d that will \u201cmake everyone think again about what writing is all about.\u201d<\/b><\/p>\n

\u2014 David Crystal<\/p>\n<\/div>\n

BURLINGTON, VERMONT, USA, January 12, 2024 \/EINPresswire.com<\/a>\/ — A new book on writing challenges many long-held beliefs about the art and nature of writing and asks questions that even its author, during a career of 17 books and three decades as a college writing professor, never thought to ask.<\/p>\n

\u201cEverything changed in 2009 when I began carving minority alphabets in wood,\u201d explained Tim Brookes, founder of the Endangered Alphabets Project<\/a> and author of Writing Beyond Writing, to be published on January 23, 2024. \u201cFor one thing, I discovered that 90% of the world\u2019s scripts are to some degree threatened, in some cases still used by only a handful of people.<\/p>\n

\u201cBut the act of carving forced me to look and think about writing in an entirely new way\u2014as a manual art rather than a communication tool. And researching different forms of writing around the world showed me how narrow, mechanistic and shallow our own alphabet and our definition of writing is.\u201d<\/p>\n

The book has already won acclaim from some of the most highly-regarded experts in the field. David Crystal, author of The Cambridge Encyclopedia of Language, called it \u201ca game-changer\u201d that will \u201cmake everyone think again about what writing is all about.\u201d<\/p>\n

\u201cThis book brings the world of alphabets, scripts, and the entire process of writing into the limelight,\u201d Crystal wrote. \u201cIt provides an overview of the subject that is unprecedented in its wealth of language illustration, and gives much-needed practical suggestions for dealing with the crisis facing those communities whose scripts are endangered.\u201d<\/p>\n

Amalia E. Gnanadesikan, author of The Writing Revolution: Cuneiform to the Internet, called it \u201ca deeply human and humane book\u201d and \u201ca sustained love song to one of humanity\u2019s most remarkable achievements in all its glorious embodied and enculturated forms.\u201d <\/p>\n

His carving and research led Brookes to found the non-profit Endangered Alphabets Project in 2010, since when he has identified more than 300 scripts in use around the world, some deeply spiritual, some used for magic or divination, some deeply embedded in the visual panorama of their landscape and culture. These discoveries have led him to create books, educational materials, artwork and games to help support efforts at cultural and linguistic revitalization.<\/p>\n

\u201cWriting Beyond Writing is part travelogue, part essay, part crusade<\/a>,\u201d he said. \u201cDiscovering all these alphabets, most of them entirely new to me, has taught me that a culture\u2019s unique script is an embodiment of that culture\u2019s collective wisdom and view of the world, as much a cultural product as music, dance, or costume. <\/p>\n

\u201cFor a community to lose its traditional script means losing not only generations of knowledge, but also a set of iconic visual emblems that say, `This is us. We are here, and we have the right to dignity, identity, and a footprint on the Earth.\u2019\u201d<\/p>\n

Writing Beyond Writing will be launched as part of the activities of World Endangered Writing Day<\/a> on January 23, 2024. It can be ordered at https:\/\/www.endangeredalphabets.com\/writing-beyond-writing\/<\/a>.<\/p>\n

The Endangered Alphabets Project is the only organization in the world dedicated to preserving and revitalizing endangered cultures by researching, cataloging, and promoting their indigenous writing systems through talks, exhibitions, educational materials, games, and artwork.<\/p>\n

For more information, contact admin@endangeredalphabets.com.<\/p>\n

Tim Brookes
Endangered Alphabets Project
+1 802-310-5429
email us here<\/a>
Visit us on social media:
Facebook<\/a>
Twitter<\/a>
LinkedIn<\/a>
Instagram<\/a>
YouTube<\/a>
Other<\/a><\/p>\n

Carving of the Week: Tim Brookes discusses an indigenous script created by a culture so dependent on the camel that its letters are based on camel brands.<\/p>\n

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